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Afterlight and Refraction

April 10, 2020 cate clother
Image by Annie Spratt

Image by Annie Spratt

Hari Bhajan Khalsa

Afterlight




The man in the video dies in a car crash, 

comes back, says that this side is cloudy, 

doesn’t have the opalescent sheen. That 



on the other side it’s technicolor. This is 

what I’m seeing now, walking back to my car 

after acupuncture, with palm trees in hi-def, 



shadows fluttering the pavement, clouds 

popping from the sky. Is this close?

Do some of us remember, the rest of us not? 



Is this why people dart in front of trains, 

speed and weave at ninety on the back roads, 

don fabricated wings and fly? Do they want 



to jump the line, long for what they cannot 

see here; though the ocean devours the sun 

every night, swallows murmur in the thousands, 



mountains disgorge their insides, river crimson 

across the landscape? I try to be okay living 

in the blur, not recalling illuminations rarely



glimpsed on this side, until that day, moment,

a covey of hands, like willow branches, bend

down to take in me what is not solid, unbowed.

 


Refraction




Drive your car north on I-25, past 

the casinos and gas stations, abandoned 

churches, strew of cups and condoms, 



small white crosses planted along 

the graveled shoulder marking so many

crashes: ascension of a man or girl 



child just a few days or years upon years 

ago. Sit with your friend nearing the end, 

thighs touching. Speak in a slow cadence 



about that day at Whychus Creek when 

you were lost, sought the trail for hours—

foxtails riddled your socks, the sun’s 



merciless beat on your arms, back 

of your neck. Her cerulean eyes now 

scoring into yours—you must not forget. 



The moment you curse the sky, scrub 

the past from the soles of your feet, dismiss

the feathers of the bluebird as a scattering



of light, mirage of the ocular, you have 

failed your children’s children. A final clasp,

breast against breast, scent of talc swept 



from her blouse. Go out the door, about

your day: wash the car, sip green tea at noon,



pick up bread, oranges, a carton of milk. 

 

Hari Bhajan Khalsa

Khalsa’s poems have been published in Poet Lore, Comstock Review, Roanoke Review, Quiddity, Cathexis Northwest Press and Transcend, among others, as well as forthcoming in Birdcoat Quarterly, The Blue Earth and The Potomac Review. She is the author of a chapbook, Life in Two Parts (Main Street Rag, 2010) and a book of poems, Talk of Snow (Walrus, 2015).

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Welcome to Field Notes, featuring emerging and established women-identifying and nonbinary writers and artists.

Field Notes is edited by Kelly Riechers DiCristina, Molly Kugel, and Cate Clother.


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